In Abercrombie Lane, a pink furry ghost invites passersby to take an oracle card and divine its personal meaning.
Artwork description
We Are All Astonishingly Wise is an experimental oracle, designed for an intuitive reckoning of uncertain times. Your card, drawn for you from a deck of 48 by the ‘ghost’ (a friendly fuzzy spirit from the future), forms a unique divinatory prompt to offer a fresh understanding of your current moment.
The artist has invited 2 ‘art witches’ to interpret these cards, in the hopes that their intuitive skills can be of service to you in your search for clarity. You’re also invited to trust your own gut response: how might these scraps of poetic text help you understand your own situation?
The viewer is enticed to enter by a warm pink glow, and a series of mysterious painted signs. As the viewer turns into Abercrombie Lane, they are met by a large video monitor with a cute pink furry ghost wearing a crown and snazzy green shoes.
Near the base of the screen there is a motion sensor button. The viewer waves their hand in front of the button, setting ‘the ghost’ in motion. The ghost draws an oracle card from her deck and presents it to the viewer.
The oracle can be left hanging as a strange portentous riddle, to be intuitively understood and applied to the viewer’s own experience. Or the viewer can scan a QR code that will take them to some carefully crafted, open-ended interpretations.
You are invited to visit Abercrombie Lane for the true oracle experience.
View the cards and their interpretations– Katy B Plummer
Commission
We Are All Astonishingly Wise began as one of 4 temporary laneway artworks we commissioned in 2021 to reactivate the city during the Covid pandemic.
Following significant community support the artwork has been acquired as a permanent artwork in the City of Sydney’s collection.
Due to adjacent building façade works, the artwork is being stored safely safely until the works are complete, when it will be reinstalled.
Artist
Katy B Plummer makes complex, messy video installations. Each work is a kind of spell, packed with layers of personal biography, scraps of history, recycled narratives.
She braids together spontaneously generated incantations, cinematic storytelling, anachronistic textile practices and high school theatre aesthetics.
Plummer suggests that our complicity with toxic hierarchies will not protect us from them, and that theatre and witchcraft are legitimate political strategies.